affect, emotion, Silvan Tomkins, Antonio Damasiointensity, sensation, , materiality, bodies, Gilles Deleuze , Brian Massumi, aesthetics, atmospheres . Approaching Affect Affect is a complex and often contentious concept. So much so that one is likely to encounter nearly as many conceptions and uses of affect as there are scholars of affect.

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2010), the net effect of the outsourcing has been detrimental in terms of the loss of Deleuze, G. (1992) Ethnology: Spinoza and Us, in J. Crary and S. Kwinter Affect is a concept, used in the philosophy of Baruch Spinoza and elaborated by Henri Bergson, Gilles Deleuze and Félix Guattari, that places emphasis on bodily or embodied experience. The word affect takes on a different meaning in psychology and other fields. For Spinoza, as discussed in Parts Two and Three of his Ethics, affects are states of mind and body that are related to feelings and emotions, of which he says there are three primary kinds: pleasure or joy, pain or sorrow and desire concerns the following: what is an idea and what is an affect in Spinoza? Idea and affect in Spinoza. During March, at the request of some of you, we will also take a break to consider the problem of synthesis and the problem of time in Kant. For me, this produces a curious effect of returning to history.

Deleuze spinoza affect

Steven Shaviro’s Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century, specifically, it explores the stru Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology with a single infinite substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science. Les Nouveaux chemins de la connaissance Émission diffusée sur France Culture le 13.04.2016.Par Géraldine Mosna-Savoye et Clément Baudet.----- AFFECT Bülent Eken M.F.A. in Graphical Arts Supervisor: Assit. Prof. Dr. Mahmut Mutman June, 1999 In this work the influential contemporary French philosopher Gilles Deleuze' s aesthetic theory has been analysed with regard to its philosophical origins.

Hasemans Performative Manifesto och Elisabeth läste Deleuze om Spinoza. at Nordic Summer University Wintersymposium Affect at Gothenburg University.

His ethics is an ethology, rather than a moral science. Architectural Affects after Deleuze and Guattari is the first sustained survey into ways of theorising affect in architecture. It reflects on the legacy and influence of Gilles Deleuze and Félix Guattari in the uptake of affect in architectural discourse and practice, and stresses the importance of the political in discussions of affect.

Building on Deleuze's writings about affect and Guattari's writings about mental Drawing on Deleuze's and Hardt's reading of Spinoza, the second part

D’abord, il s’agit de voir comment Deleuze a lu Spinoza : sur quels thèmes il s’est arrêté, à quels problèmes il a été sensible, et surtout comment le spinozisme a été décisif pour la constitution de sa propre philosophie, depuis Différence et Répétition jusqu’aux dernières œuvres. Steven Shaviro’s Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century, specifically, it explores the stru Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology with a single infinite substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science. Les Nouveaux chemins de la connaissance Émission diffusée sur France Culture le 13.04.2016.Par Géraldine Mosna-Savoye et Clément Baudet.----- AFFECT Bülent Eken M.F.A. in Graphical Arts Supervisor: Assit.

av C Hilli · 2020 — actions await experiencing” (Deleuze, 1988, p.
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The actions of affect are prominent in the philosophy of Gilles Deleuze and can be broken down for the purposes of education into two roles. The first alludes to the history of philosophy and the ways in which affect has been used by Spinoza (Deleuze, 1992) Nietzsche (Deleuze, 1983) or Bergson (Deleuze, 1991).

Affekt (från latinska affectus eller adfectus ) är ett begrepp som används i filosofin om Baruch Spinoza och utarbetat av Henri Bergson , Gilles Deleuze och Félix Baruch Spinoza (1632–1677) tillämpar idén om en conatus på den mänskliga kroppen, det mänskliga ”Entre Deleuze et Foucault : Le jeu du désir et du pouvoir”.
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Deleuze's writings often bring Spinoza and Artaud into close proximity, and given that the latter is often first encountered by many anglophone readers through Deleuze, the tendency to think of Artaud as a Spinozist risks becoming conventional.

Atëphobia: On Lovecraft, Deleuze and the limits of affectual geography Keywords : Affect; Deleuze; Lovecraft; Non-representational theory; Aesthetics; In this thesis I read Deleuze's interpretation of Spinoza through the weird tales written Först något om musikens generella egenskaper hos Deleuze & Guattari. sätt (som vi finner hos Leibniz och kanske även hos Spinoza) som världen tar form. mobilizes nonsubjective "affects" and that reaches its height in romanticism. active advanced capitalism affects affirmative animals anthropocentrism argues deep ecology defined Deleuze Deleuze's desire deterritorialization discourse social space specific Spinoza stresses structure subject position technologies This work to effect change is, above all, about stabilising the position of artistic research Jag vänder mig åter till Deleuze och Guattari, som verkar vara allergiska mot olika Damasio, A ., 2003 .

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L’affect (Spinoza’s affectus) is an ability to affect and be affected. It is a prepersonal intensity corresponding to the passage from one experiential state of the body to another and implying an augmentation or diminution in that body’s capacity to act. "The actions of affect play a pivotal place in the philosophy of Gilles Deleuze that can be broken down for the purposes of education into two roles. The first alludes to the history of philosophy and the ways in which affect has been theorised In contrast, Spinoza restricts the term ‘passion’ to affects that are passive: “an affect that is called a Passion [pathema] of the Mind is a confused idea by which the Mind affirms of its Body, or some part of it, a greater or lesser power of existing [existendi vis] than before, which, when it is given determines the Mind to think of this rather than that” (III Gen. Def. of the Affects). What makes an affect a passion is that it is confused, and therefore inadequate. These include sensation, bodies, affects and affective atmospheres, together with complex composites of intensities in Deleuze’s logic of sense and the conceptualisation of planes of organisation and composition.